吉首大学学报(社会科学版) ›› 2010, Vol. 31 ›› Issue (6): 51-54.
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摘要:仁(道德)与乐(艺术)在其极致处必然会通为本体的“乐”境,是徐复观对儒学艺术精神的基本体认。而他对儒学艺术精神转化与没落的判断,又表明他在事实层面承认了仁、乐关系的疏离。仁、乐关系在本体层面与经验层面的断裂与冲突,源自儒学理想与历史现实的长期冲突,也源自徐复观艺术诠释体系与其所欲规导的多元现代艺术之间的冲突。儒学艺术精神作为一个开放的、生成的过程,正在此冲突中不断建构。
关键词: font-family: 宋体, mso-bidi-font-family: 宋体, mso-bidi-font-size: 12.0pt, mso-font-kerning: 1.0pt, mso-ansi-language: EN-US, mso-fareast-language: ZH-CN, mso-bidi-language: AR-SA, mso-ascii-font-family: 'Times New Roman'">艺术, 徐复观, 仁, 乐, 冲突, 建构
Abstract: Xu Fuguan holds that morality and art will fuse to form an artistic appeal at superlative level.His judgment on the transformation and declination of artistic spirit indicates that he also admits the separation between morality and art.The conflicts between morality and art at the noumenon and empirical levels originate from the long-term conflicts between Confucianism idea and historic reality,and also originate from the conflicts among the modern arts in what Xu Fuguan interprets and regulates in his artistic system.Confucianism spirit of art,as an open and increasingly mature process,is continuously constructing itself facing all these conflicts.
Key words: font-family: "Times New Roman", mso-hansi-font-family: 宋体, mso-bidi-font-family: 宋体, mso-bidi-font-size: 12.0pt, mso-fareast-font-family: 宋体, mso-font-kerning: 1.0pt, mso-ansi-language: EN-US, mso-fareast-language: ZH-CN, mso-bidi-language: AR-SA">art;XU Fuguan;morality;art;conflict;construction
刘依平. “仁”、“乐”的会通与疏离——徐复观艺术诠释体系的冲突和建构[J]. 吉首大学学报(社会科学版), 2010, 31(6): 51-54.
LIU Yi-Ping. The Fusion and Separation of Morality and Arts[J]. Journal of Jishou University(Social Sciences), 2010, 31(6): 51-54.
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https://skxb.jsu.edu.cn/CN/Y2010/V31/I6/51