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For Selected: Download Citations EndNote Ris BibTeX Toggle Thumbnails Select The Geomoral Landscape in Shen Congwen's West Hunan Fiction CHANG Shengtai Journal of Jishou University（Social Sciences）    DOI: 10.13438/j.cnki.jdxb.2019.01.015 Select On Shen Congwen's Artistic Thought of Human Ontology HE Xiaoping Journal of Jishou University（Social Sciences）    DOI: 10.13438/j.cnki.jdxb.2019.01.016 Select Modern Literature Field and SHEN Congwen’s View on Classic Works FENG Yangcao Journal of Jishou University（Social Sciences）    DOI: 10.13438/j.cnki.jdxb.2016.04.018 Select Destiny of SHEN Congwen’s Local Novels——Reflections on the World-wide Acceptance of Local Literature WANG Bihui Journal of Jishou University（Social Sciences）    DOI: 10.13438/j.cnki.jdxb.2016.04.019 Select Modernity,Anti-Modernity,and the Monetary Image in Shen Congwen’s The Bordering Town CHEN Xue, LIU Tai-Ran Journal of Jishou University（Social Sciences）    2014, 35 (5): 101-106.   DOI: 10.13438/j.cnki.jdxb.2014.05.015 Abstract （2127）      PDF（pc） （586KB）（1645）       Knowledge map    Save Money,stories about money,and business activities related to money are intentionally and repeatedly described in Shen Congwen’s The Bordering Town,which shows Shen’s reflection on modernity from money perspective and makes money the core theme of the novel.Shen realized that capital had damaged the poetic relevance between man and man,man and nature,and man and land,leading to the spatial homogenization of man,nature,and the charming world.Purposefully restoring money from an abstract material of equivalent exchange to a symbolic gift,and describing the heterogeneous space brought by capital,Shen Congwen showed his criticism to modernity based on capital. Reference | Related Articles | Metrics | Comments（0） Select On Shen Congwen’s Liberal Discourse and Humanistic Spirit HU Mei-Xian Journal of Jishou University（Social Sciences）    2014, 35 (5): 107-112.   DOI: 10.13438/j.cnki.jdxb.2014.05.016 Abstract （1484）      PDF（pc） （592KB）（1471）       Knowledge map    Save As a non-party liberalist,Shen Congwen’s literary creation and life experience are closely related to modern Chinese literalism.His unique writing style,separated from the mainstream of New Literature Movement and revolutionary literature,may be regarded as a folk writing in a sense.Shen’s life,from his beginning of writing to the end of it,is a true epitome of a modern Chinese liberal writer.In his narration of ordinary country life,Shen’s works present his inner reflection on the way of life which had not been changed for hundreds of years.He sang for the solemnity and beauty of life,and worried about the ignorance and stillness behind it.Should we save modern rationality with traditional culture or correct the country ignorance with modern civilization? Shen could not solve this problem,and it is also what we need to clarify in reconstructing morality of Chinese nation. Reference | Related Articles | Metrics | Comments（0） Select Cultural Perspective of the Image of Girl Student inShen Congwen’s Works YANG Yu-Zhen Journal of Jishou University（Social Sciences）    2014, 35 (1): 116-122.   DOI: 10.13438/j.cnki.jdxb.2014.01.019 Abstract （2007）      PDF（pc） （628KB）（1370）       Knowledge map    Save “Girl student” is one of the signifier signs in the modern discourse system of 20th century China.As a metonymy symbol of “modernity”,the liberated “girl student” becomes the reference of modernity criticism in Shen Congwen’s works,showing an independent male feature.Also,“girl student”,as the image of “the other”,contains alien and desirous features,whose objectification and objectivity are revealed in the abstract and contradictive descriptions.The image of “girl student” in Shen’s works forms the overlap between Xiangxi and urban society,showing the rural imagination of urban and the urban influence on rural.It also shows the writer’s self examination and his criticism and reflection on nationality and process of social modernization. Reference | Related Articles | Metrics | Comments（0） Select On the Image of Modern Hunan in Shen Congwen’s Texts Hou-Yun-Hua Journal of Jishou University（Social Sciences）    2014, 35 (1): 123-128.   DOI: 10.13438/j.cnki.jdxb.2014.01.020 Abstract （1747）      PDF（pc） （567KB）（1106）       Knowledge map    Save Shen Congwen’ works made dynamic description of the image of modern Hunan.Social revolution brought the deformation of the family image,showing the change of the family’s fate and internal differentiation.Social trend of thought changed social morality,leading to variation of human nature and value dislocation.The social class was reconstructed by family differentiation,social thought transformation and so on,which helped to cause the social transformation of individual role.All these happened due to cultural conflicts,which was the main factor of the transformation of modern Hunan’s image,and also was the main foundation of Shen Congwen’s writing style. Reference | Related Articles | Metrics | Comments（0） Select On the Gender Issue and the Ethics of Ethnic Minorities in the Novel The Border Town YANG Yu-Zhen Journal of Jishou University（Social Sciences）    2012, 33 (6): 1-5.   DOI: 10.3969/j.issn.1007-4074.2012.06.001 Abstract （2013）      PDF（pc） （540KB）（1055）       Knowledge map    Save The basic point for thenovel The Border Town in reshaping the image of China is to emphasize the ethnic ethic,starting from the gender narration.The imbalanced natural gender issue,emptied and distorted social gender notion and the heroines love tragic which connected to the historical,cultural and national changes have resulted in the special social gender of the nation.The author put his own association of nation and self in the gender relations of this novel,implying the cultural logics of “internal Orientals”. Reference | Related Articles | Metrics | Comments（0） Select On Shen Congwen’s Imagination of Border Region Military and ROC Gan Military Culture LUO Wei Journal of Jishou University（Social Sciences）    2012, 33 (6): 6-13.   DOI: 10.3969/j.issn.1007-4074.2012.06.002 Abstract （1972）      PDF（pc） （733KB）（1397）       Knowledge map    Save The impact of the Xiangxi geographical culture on Shen Congwen’s literary derives not only from the local natural conditions and folk customs,but also from the historical and cultural environment of the Republic of western Hunan.Shen Congwen’s creation of military works and the Xiangxi military culture are also closely linked.The three main characters of the ROC Xiangxi military culture (martial tradition,ranger tradition as well as the vagrant consciousness) are specifically exhibited in Shen Congwen’s works.Shen Congwen got his first acknowledged social identity (a soldier) by ROC Xiangxi military culture,then obtained a unique perspective on life,finally prompted his unique personal reflection on society and life. Reference | Related Articles | Metrics | Comments（0） Select On Shen Congwen ’s Ethnographical Writing HE Xiao-Ping Journal of Jishou University（Social Sciences）    2012, 33 (6): 14-22.   DOI: 10.3969/j.issn.1007-4074.2012.06.003 Abstract （1953）      PDF（pc） （582KB）（1340）       Knowledge map    Save Shen Congwen’s texts embody two aspects in literature and cultural writings:One was literal texts that expressed his cultural thinking,and the other was ethnographic text written with literary tools.Both of them pointed to the perception towards Xiangxi and its modern urban culture.Two types of text had distinctive ethnographic characteristics.The causes of characteristics of Shen Congwen’s ethnographical writing lied in a combination of internal and external sight in the life experiences which led to his cross-cultural relativism.This was also the inevitable result of Shen Congwen’s stylistic experiments for expressions.The combination between Shen Congwen’s literature creation with the characteristic of ethnographical writing and the characteristic of poetics was the important reason that Shen Congwen’s cultural thought,aesthetic thought,artistic thought and expression were so independent and special in modern Chinese. Reference | Related Articles | Metrics | Comments（0） Select On the State Imagination of Shen CongWen’s Novel Creation from the Context of Concession Colonial Discourse of Shanghai REN Xiao-Bing Journal of Jishou University（Social Sciences）    2012, 33 (6): 23-27.   DOI: 10.3969/j.issn.1007-4074.2012.06.004 Abstract （1907）      PDF（pc） （514KB）（1255）       Knowledge map    Save Shen Congwen’s vivid personal experience of the national humiliation during the period of Shanghai concession makes him embark on identifying himself as a Miao ethnic identity by creating numerous folk novels when he was in Beijing.He rationally realized that he had “rediscovered” the “essential identity”.He restored his Miao descent which once clouded its history,held a positive attitude towards his identity and pushed his stance to the forefront of history.His works center on memories of Miao history,folklore,fairy tales,religious activities,folk songs of love and marriage,hunting,dragon boat races,venomous insects,vicious magic,Luo Dong and other folk customs.His works also contribute to restructuring ethnic cultures of Miao people being kind,virtuous,pure and honest,creating the cognition of collective memory for the whole nationality and fulfilling the acknowledgement of the imaginative construction of the great Chinese nation. Reference | Related Articles | Metrics | Comments（0） Select The Theory and Practice of Shen Congwen’s Material Culture Research and the Triple Evidence Law ZHANG Xin, LI Jian-Ping Journal of Jishou University（Social Sciences）    2012, 33 (6): 28-33.   DOI: 10.3969/j.issn.1007-4074.2012.06.005 Abstract （1747）      PDF（pc） （539KB）（1329）       Knowledge map    Save The triple evidence law which combines literature handed down from ancient times,unearthed literature and unearthed cultural relics has gained wide acknowledgement in the area of research on traditional culture.Shen Congwen is undoubtedly one of the advocators and practitioners of the triple evidence law since he turned from literature to cultural relics.He not only expounded the necessity of combining literature study and cultural relic study,but also became adept at scoring magnificent achievements in literature study and cultural relic study by using this method.He further illustrated the ways to do in-depth studies and cultivate talents.Shen Congwen’s glorious achievements in literature overshadow his excellence in material culture study.Future studies on him should restore his true identity and historical status as a historian. Reference | Related Articles | Metrics | Comments（0） Select Ironies in the Novel Fengzi JIAO Shi Journal of Jishou University（Social Sciences）    2012, 33 (6): 34-42.   DOI: 10.3969/j.issn.1007-4074.2012.06.006 Abstract （1655）      PDF（pc） （713KB）（1093）       Knowledge map    Save In his novel Fengzi,Shen Congwen eradicated the foundation,cultural presupposition,material possibility and ultimate purpose for seclusion,making it possible to realize.Shen’s seclusion,characterized by irony,should be interpreted as seclusion of philosophical and mysterious sense.All his reflections totally changed after they were attached with irony.His ironic detachment was partial with respect to the through and serious detachment.In addition,this was a dual detachment:on the one hand,the author never lacked a civilian and political sense,yet it was not a kind of worship；on other hand,the tensile force of life and the relativization of knowledge had prevented him from turning into mysticism.Characters in Shen Congwen’s novels did not escape；they just lived in reality.Fundamentally,Shen had relativized an era characterized by extremism. Reference | Related Articles | Metrics | Comments（0） Select Ironies in the Novel Fengzi JIAO Shi Journal of Jishou University（Social Sciences）    2012, 33 (1): 38-45.   DOI: 10.3969/j.issn.1007-4074.2012.01.008 Abstract （2568）      PDF（pc） （732KB）（1799）       Knowledge map    Save In his novel  Fengzi,Shen Congwen eradicated the foundation,cultural presupposition,material possibility and ultimate purpose for seclusion,making it possible to realize.Shen’s seclusion,characterized by irony,should be interpreted as seclusion of philosophical and mysterious sense.All his reflections totally changed after they were attached with irony.His ironic detachment was partial with respect to the through and serious detachment.In addition,this was a dual detachment:on the one hand,the author never lacked a civilian and political sense,yet it was not a kind of worship；on other hand,the tensile force of life and the relativization of knowledge had prevented him from turning into mysticism.Characters in Shen Congwen’s novels did not escape；they just lived in reality.Fundamentally,Shen had relativized an era characterized by extremism. Reference | Related Articles | Metrics | Comments（0） Select Study on the Aesthetic Modernity of Shen Congwen’s  Literary Theory LIN Tie Journal of Jishou University（Social Sciences）    2011, 32 (4): 34-38.   Abstract （2478）      PDF（pc） （533KB）（1888）       Knowledge map    Save Western modern thoughts must be indigenized when they come into Chinese modern literary theory.When the aesthetic modernity of anti-enlightenment rational was brought into the field of enlightenment,independent spirit and non-utilitarianism of literature aesthetic were endowed with utility color.Shen Congwen advocated the independence of literature and art.Furthermore,he explained and protected self-discipline character of literature and art in the way of emphasizing literature aesthetic form,whereas,emphasis of the aesthetic independence and aesthetic forms finally falls onto the aesthetic of human life.In other words,the issue of aesthetic and life are combined in this way,and life salvation is obtained through ways of aesthetic.He advocated “divine nature” of aesthetic idealism to deny phenomena of realistic secular survival,philistine and mammonism,and in this way to achieve the ideal of aesthetical survival. Reference | Related Articles | Metrics | Comments（0） Select A Comparative Study of Feminism between Shen Congwen and Kawabata Yasunari TIAN Xiao-Lin Journal of Jishou University（Social Sciences）    2011, 32 (4): 39-42.   Abstract （2806）      PDF（pc） （496KB）（2859）       Knowledge map    Save Both Shen Congwen and Kawabata Yasunari are famous writers of the international literary world in the 20th century.Their unusual and similar life and emotional experiences attribute to their attention both to women and feminine beauty.As to women,they unanimously have complex and incompatible emotions,preference and praise on the one hand,prejudice and contempt on the other hand.Analyzing and comparing the writings of the two writers can help us interpret their feminism and thus help us further understand the two writers’ works to a large extent. Reference | Related Articles | Metrics | Comments（0） Select A Forever “Little Greek Temple”——Preface of the Translated Border Town Jeffrey Kinkley Journal of Jishou University（Social Sciences）    2010, 31 (4): 1-3.   Abstract （1617）      PDF（pc） （448KB）（1818）       Knowledge map    Save Related Articles | Metrics | Comments（0） Select Research of The Border Town from the Aesthetic Perspective of Chinese Literati QIU Yu-Yun Journal of Jishou University（Social Sciences）    2010, 31 (4): 4-9.   Abstract （2079）      PDF（pc） （2156KB）（1672）       Knowledge map    Save The Border Town is full of Chinese elements of landscape paintings.The rich beauty of connotation makes the referential meaning more significant than the narration of words,leaving far more individual and wider space for the readers to comprehend.The style and spirit of the novel are mutually pre-conditioned,its representation being its meaning.Comprehending the novel from the aesthetic perspective of traditional Chinese literati may help Chinese novel catch up with the Western idea to exhibit philosophical points through novel,and inspect aesthetics of Chinese literati,and even run neck and neck with modernism and post-modernism,contributing more to literature criticism of novels. Reference | Related Articles | Metrics | Comments（0） Select On Shen Congwen’s Visual Threshold of Cultural Interpretation and Value Orientation in Creation HE Xiao-Ping Journal of Jishou University（Social Sciences）    2010, 31 (1): 39-43.   Abstract （1914）      PDF（pc） （481KB）（1086）       Knowledge map    Save Shen Congwen had a dynamic value orientation.The unique cultural spirit in Xiangxi,the transition of traditional Chinese culture in the early 20th century,and the reinterpretation and re-illustration to Chinese culture under the influence of western theories,all contributed to Shen’s interpretation,infiltrated into his literary activities,and enabled him to compare different cultures,realizing an amalgamation of cultural interpretation and the visual threshold of cultural illustration.From the local cultural illustration to the cultural interpretation and illustration of the whole nation and the whole world,Shen Congwen had gradually widened his visions in creation. Reference | Related Articles | Metrics | Comments（0） Select “Qing Se Yan ”——ShenCong-wen’s rewriting of Buddhist stories in the 1940s XU Jun-Yi Journal of Jishou University（Social Sciences）    2010, 31 (1): 44-49.   Abstract （2687）      PDF（pc） （571KB）（1776）       Knowledge map    Save “Qing Se Yan” was written in 1946.It described Prince Junaluo’s story in the Buddhist books “Fa Yuan Zhu Lin”.As Other essays in the “Qi Se Yan”,“Qing Se Yan” also appears obscure and hard to understand. The style is called “abstract lyric”.The purpose of this paper is to compare the essay with the collected works《Yue Xia Xiao Jing》in the rewriting of Buddhist stories and analyze the causes of the special style “abstract lyric” in the 1940s. Reference | Related Articles | Metrics | Comments（0） Select A Trinity View on Shen Congwen’s Novel The Border Town YANG Rui-Ren Journal of Jishou University（Social Sciences）    2010, 31 (1): 50-54.   Abstract （2189）      PDF（pc） （582KB）（1397）       Knowledge map    Save The major site in The Border Town is not in Chadong town,but in Bixiju,a rock-covered hill in the upper branch of the Chadong River not far away from the town.Chadong town,Bixiju,and the natural environment where the leading character lived,are the three indispensable worlds that the author presents to the readers,and they are the author’s unique and artistic creation. Reference | Related Articles | Metrics | Comments（0） Select Textual Farmers’ Sight in Shen Congwen’s Stories Pietro Giordan JIAO Shi Journal of Jishou University（Social Sciences）    2008, 29 (5): 1-10.   Abstract （2092）      PDF（pc） （2052KB）（1719）       Knowledge map    Save Country fellows described by Shen Congwen always observe and criticize urban people with a unique criterion.This is a typical form of exoticism,i.e.the impression of country fellows on cities.The narrations of urban readers reveal a sociological distance,and it is also a distinction in terms of ethnology,sex,and generation.This observed conflict between the rural and urban is reflected by enantiosis and irony.The writer,whose tone is not publicized and whose language is characterized by selfrestraint,refused the authority of the narrators.The result,coming from narrating practice,is a distance between discourse and its subject,and is also a harmony between the world he created and him. Related Articles | Metrics | Comments（0） Select The Moral Dilemma in Shen Congwen's Novels and Its Aesthetic Presentation ZHANG Jian Journal of Jishou University（Social Sciences）    2008, 29 (5): 11-15.   Abstract （2473）      PDF（pc） （1142KB）（1336）       Knowledge map    Save On the surface level, Shen Cengwen's novels are conspicuous of morality and they lacked a sense of history.However, from the dual perspectives of history and morality, we find that both historical sense and morality sense are mixed in his novels, making a unique feature of Shen's novels.One of the representations is the oblique and wandering standpoint of the narrator, the other is the infiltration of the two, i.e. history is questioned by morality, whereas morality is inspected by history, which caused such aesthetic features as ideality, tragedy, and embodiment in his novels. Reference | Related Articles | Metrics | Comments（0） Select Modernity：Confrontation and Reconciliation GUO Jia-Wei Journal of Jishou University（Social Sciences）    2008, 29 (5): 16-19.   Abstract （2249）      PDF（pc） （839KB）（1103）       Knowledge map    Save From a regional cultural perspective, Shen Cong-wen started a dialogue with the mainstream ideology.Though confronted with the drastic modernity of Chinese society, his works, reflecting the modernity, repeatedly demonstrated the "beautiful, humanistic" life which was precisely in accordance with the demand of modernity to human existence.At this point, he was reconciled with modernity. Reference | Related Articles | Metrics | Comments（0） Select From a Free Person to a Person of Liberalism Thought——Research on the History of Shen Congwen's Influence before the Founding of New China SHU Gang-Bo Journal of Jishou University（Social Sciences）    2008, 29 (5): 20-24.   Abstract （2107）      PDF（pc） （1105KB）（1677）       Knowledge map    Save Shen Congwen's influence before the founding of New China is mainly in two aspects.One is how to be a free person.Shen influenced many writers and made them liberalism writers with his edit thought, literature proposition, and literature creation.The other is his liberalism literature thought.He influenced and reformed the society with his liberalism thought, independent literature view, healthy life attitude and cosmic concept. Reference | Related Articles | Metrics | Comments（0） Select Textual Farmers’ Sight in Shen Congwen’s Stories Pietro Giordan JIAO Shi Journal of Jishou University（Social Sciences）    2008, 29 (2): 1-15.   Abstract （1368）      PDF（pc） （2828KB）（1207）       Knowledge map    Save Country fellows described by Shen Congwen always observe and criticize urban people with a unique criterion.This is a typical form of exoticism,i.e.the impression of country fellows on cities.The narrations of urban readers reveal a sociological distance,and it is also a distinction in terms of ethnology,sex,and generation.This observed conflict between the rural and urban is reflected by enantiosis and irony.The writer,whose tone is not publicized and whose language is characterized by self-restraint,refused the authority of the narrators.The result,coming from narrating practice,is a distance between discourse and its subject,and is also a harmony between the world he created and him. Related Articles | Metrics | Comments（0） Select Interpreting the Cave Image in Shen Congwen’s Novels  QIU Yuan-Ni Journal of Jishou University（Social Sciences）    2008, 29 (2): 16-22.   Abstract （1888）      PDF（pc） （1546KB）（2233）       Knowledge map    Save Cave is a natural symbol repeatedly appeared in Shen Congwen’s novels.Presenting “past space” and “eternal time”,cave was both a place of death and birth.The writer,by frequently described the death date in cave,illustrated the subject of desire and death as well as their relationship,and embodied his modernity. Reference | Related Articles | Metrics | Comments（0） Select The Old Boatman’s Oedipus Pursuit—— A Comparison of Tragedy Elements between The Bordering Town and King Oedipus YANG Rui-Ren Journal of Jishou University（Social Sciences）    2008, 29 (2): 23-28.   Abstract （1728）      PDF（pc） （2274KB）（1394）       Knowledge map    Save The tragic behavior between the old boatman and Oedipus is very much alike in terms of their fight against fate and the undeserved result concerning their pursuit.This shows that The Bordering Town has possessed the basic element of tragedy and it is justified to say that it is a tragic one.Their differences can be seen in several aspects:while the former has a touch of slight fear,with the old boatman being a negative victim,the later can cause the readers’ shocking fear and strong sympathy.These two books are tragedies of kindness and fate,with a sense of foreordination filled in them.In King Oedipus,tragedy is largely hued,while in The Bordering Town,tragedy is understated.They all present a conflicting attitude toward fate:on the one hand,they all believe in fate and the overwhelming power of it,on the other hand,they attach great importance to strong perseverance and active behavior.These two books,with greatly different background,again prove that the writers’ contradictive contemplation on fate and human behavior has never come to an end. Reference | Related Articles | Metrics | Comments（0） Select The Rhythmical “Water” and the Perishing “Snow”——A Comparison of Image between The Bordering Town and The Snow Country SU Qin-Qin, LIU Hong-Xiang Journal of Jishou University（Social Sciences）    2008, 29 (2): 29-39.   Abstract （2203）      PDF（pc） （2294KB）（1180）       Knowledge map    Save The image of water in The Bordering Town conveys the Taoism and the meaning of life in traditional Chinese culture.The writer,Shen Congwen,wants to explore a cultural connotation of “beautiful,healthy,and natural way of life in harmony with human nature.” The image of snow in The Snow Country embodies the ideology of Zen,and reveals an aesthetic style of grief and serene unique to Japanese culture.Yasunari Kawabata presents his own exploration of life in this novel. Reference | Related Articles | Metrics | Comments（0） Select Shen Congwen in the Academic History of the Study of Art Design ZHU Shuai Journal of Jishou University（Social Sciences）    2007, 28 (5): 71-78.   Abstract （1512）      PDF（pc） （2081KB）（1359）       Knowledge map    Save As a key man to link the past and future of China’s art design study in the 20th century,Shen Congwen turned from literature creation to material cultural study in his afterlife for exterior reasons.It was also because that he had followed his lifelong affection for practical fine art.From the perspective of academic history,Shen’s study methods and relevant results were deeper and more conscious than the practical fine art of his time.His study in the scope of material culture has indirectly influenced the construction of study branches of art design since the 1980s,and is an important point in the history of China’s modern art design. Reference | Related Articles | Metrics | Comments（0） Select A Review on Shen Congwen’s Notes on Ding Ling LI Duan-Sheng Journal of Jishou University（Social Sciences）    2007, 28 (5): 79-83.   Abstract （1724）      PDF（pc） （2108KB）（1507）       Knowledge map    Save By collecting historical data,this paper gives a detailed review on the background,cause of formation,publication as well as the basic content and form of Shen Congwen’s Notes on Ding Ling,hoping that the readers can have a better understanding of it. Related Articles | Metrics | Comments（0） Select Glance and Sympathy：On Shen Congwen’s Modernity Experience TANG Xi-Ling Journal of Jishou University（Social Sciences）    2007, 28 (5): 84-87.   Abstract （1464）      PDF（pc） （1003KB）（965）       Knowledge map    Save Glimpse and sympathy are the unique reflections of Shen Congwen on tradition and modernity in a transforming society of the early 20th century.This paper illustrates this from three aspects:first,context ruptures and glance impulse;second,aesthetics construction and the idea of a cloud cuckoo land;and third,an elegy sensation and a feeling of last phase of an age. Reference | Related Articles | Metrics | Comments（0） Select Image Represented by Forms:Shen Congwen’s Literary Pursuit in the 1940s DENG Qi-Ping Journal of Jishou University（Social Sciences）    2007, 28 (3): 28-31.   Abstract （1424）      PDF（pc） （1357KB）（1045）       Knowledge map    Save Rereading Shen Congwen’s representative works in the 1940s,one can find that his literature pursuit during that time was to compose aesthetic image by written words and to reach the aim of constructing forms by image.What he wanted to annotate was the eternity of love and beauty.He hoped to create ideal life by eternal beauty and by this to keep the eternal life.Shen’s creation during this period is of great value in literature history. Reference | Related Articles | Metrics | Comments（0） Select A Psychological Interpretation on the Love Tragedy in The Bordering Town YAO Yan-Yu Journal of Jishou University（Social Sciences）    2007, 28 (3): 32-35.   Abstract （2138）      PDF（pc） （874KB）（2142）       Knowledge map    Save The natural,familiar,and social environment described in The Bordering Town indicated Cui Cui’s material and mental loneliness and helpless.The lack of listeners forced her to make a self psychological compensation by singing folk songs,dreaming,and entrusting her emotions.She was self-esteemed and yet self-humiliated,and this psychology prevented her love with Er Lao.And the old boatman’s haste and Shun Shun’s secret psychological knot unconsciously catalyzed Cui Cui’s love tragedy.So the love tragedy in The Bordering Town was also the outlet of the depressed emotion of Shen Congwen. Reference | Related Articles | Metrics | Comments（0） Select SHEN Cong-Wen Journal of Jishou University（Social Sciences）    2007, 28 (1): 1-6.   Abstract （1136）      PDF（pc） （1548KB）（1232）       Knowledge map    Save Related Articles | Metrics | Comments（0） Select HUANG Yong-Yu Journal of Jishou University（Social Sciences）    2007, 28 (1): 7-7.   Abstract （1352）      PDF（pc） （183KB）（1082）       Knowledge map    Save Related Articles | Metrics | Comments（0） Select LIU Yi-You Journal of Jishou University（Social Sciences）    2007, 28 (1): 8-15.   Abstract （1202）      PDF（pc） （2087KB）（1289）       Knowledge map    Save Related Articles | Metrics | Comments（0） Select “A Small Temple of Humanity” and Modernity—— Interpretation and Criticism on Shen Congwen’s “Romantic Tales” ZHOU Chang-Mei, XIANG Gang Journal of Jishou University（Social Sciences）    2006, 27 (6): 1-7.   Abstract （1584）      PDF（pc） （420KB）（1179）       Knowledge map    Save The “Romantic Tales” created by Shen Congwen around 1930 plays an important role in the formation of his cultural concept,for they strongly and romantically express his “ideal life style” and are the core of his creation ideology.The creation of these “Romantic Tales” is an effort for Shen Congwen to seek the tradition of the Miao culture in Xiangxi and to construct the Miao culture in Hunan.By fighting against the dominant Han culture,Shen gains a self-recognition and affirmation,discovers and reconstructs the humanity of the Miao people in Xiangxi,and establishes his “small temple of humanity”.Further more,he tries to develop the particularity out of the Miao culture into universality to resist the popularity of the Han and Western cultures,using “small temple of humanity” as a frontier culture to resist “modernity”. Reference | Related Articles | Metrics | Comments（0） Select Beauty of a Deiform Land——“Lyric Poetry of Countryside”of Shen Congwen in the View of Ecological Civilization ZHANG Li-Jun Journal of Jishou University（Social Sciences）    2006, 27 (6): 8-13.   Abstract （1698）      PDF（pc） （1351KB）（1122）       Knowledge map    Save The description of the relationship between human beings and nature,human beings and land,and among human beings in the countryside of Xiangxi,and the images of peasants with natural humanity,healthy build and rich soul in Shen Congwen’s works make an everlasting “lyric poem of countryside”.Viewing from both a country fellow and a civilized person,Shen Congwen further illustrates the destruction of the beautiful land and the ignorance of life in it.It is in this strong sense of destructive tragedy that Shen’s “lyric poetry of countryside” shows the beauty of a deiform land which is rooted in his motherland and is shaded by modern industrial civilization,i.e.the harmonious countryside and the kind sons in the land.In this sense,Shen’s “lyric poetry of countryside” embodies a deep and conscious ecological sense and reproduces the beauty of a deiform land and constructs a literature with ecological idea of Chinese dimension. 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