Abstract: Both Chinese Marxist aesthetics and Western Marxist aesthetics underwent a leap-over from epistemology to noumenon.Lukarche considers social existence as Marxist philosophic noumenon and in the light of which,discusses the artistic features of aesthetics.However,he leaves no space for the nature and makes no account for the natural beauty and the perceptual essence of aesthetics.Li Zehou names his noumenon anthropologic noumenon and puts aesthetic and art above human noumenon.But his dual supposition of “too noumenon” and “psychologic noumenon” makes his theory lose its unitarianism and leads to the disintegration of beauty and aesthetics.

Key words: epitemology, noumenon, social existance, anthropology, Lukarche, Li Zehou, aesthetics