Abstract: The communication of reception aesthetics in China has undergone a process   from translation and introduction to local construction connecting with traditional poetic recourse.However,in Chinese intellectual circles,more attention is given to critical practice and previous academic achievement,and less is given to theoretical research and revision,lacking the essential and positive description of inter-subjectivity.The absorption of the inter-subjectivity will promote the transformation of inter-subjectivity in modern Chinese aesthetics.

Key words: inter-subjectivity, discourse analysis, research paradigm