吉首大学学报(社会科学版) ›› 2011, Vol. 32 ›› Issue (4): 26-29.

• 美学研究 • 上一篇    下一篇

中国古代如何言说自然美

  

  1. (武汉大学 哲学学院,湖北 武汉 430072)
  • 出版日期:2011-07-15 发布日期:2012-03-10
  • 作者简介:陈望衡(1944-),男,湖南邵阳人,博士,武汉大学哲学学院教授,博士生导师。

Natural Aesthetics in Ancient China

  1. (College of Philosophy,Wuhan University,Wuhan,Hubei 430072,China)
  • Online:2011-07-15 Published:2012-03-10

摘要:中国古代的自然审美,有文字记载的可追溯距今三千年前的《诗经》。此后,在理论上有众多的观点:寄志:以孔子为代表;比德:以孔子、屈原为代表;寄情:以屈原为代表;悟道:以陶渊明、宗炳为代表;畅神:以宗炳、王微为代表。在历史上,有两人的建树最重要:一是唐代的柳宗元,他提出“美不自美,因人而彰”。二是宋代的苏轼,他提出要与自然山水在精神上共同着生命。

关键词: 自然, 审美, 中国古代, 自然美

Abstract:  The natural Aesthetics of ancient China with the written records can be traced back Three thousand years ago.It is the literature work called "the Book of Songs".Since then,different theoretical views emerged in large numbers,such as Confucius’ view of ambition sustenance;Confucius and Qu Yuan’s view of moral metaphor;Qu Yuan’s view of emotional sustenance;Tao Yuanming and Zong Bang’s view of apperception of Taoism and Zong Bing and Wang Wei’s view of free imagination.There are two of the most important persons:the first one is Liu Zongyuan of Tang Dynasty.He remarked that "the beauty does not spring from itself,but it depends on somebody who sees it."  The second one is named Sushi.He proposed the point of being together with the natural landscape in spirit of life.

Key words: nature, aesthetic, ancient China

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