吉首大学学报(社会科学版) ›› 2005, Vol. 26 ›› Issue (3): 59-63.

• 文学研究 • 上一篇    下一篇

文化寓言·结构魔方——现代中国文学“二女+男”模式的“源”与“形”

  

  1. (1.华中师范大学 文学院,湖北  武汉 430079;2.宜春学院 文学院,江西 宜春 336000)
  • 出版日期:2005-07-15 发布日期:2012-08-06
  • 作者简介:李建军(1973-),男,江西丰城人,宜春学院讲师,华中师范大学文学院博士生,主要从事中国近现代文学及思想文化研究。

Cultural Apologue and Structural Magic-cube——On the Source and Form of “Two Women+One Man” Mode in Modern Chinese Literature

  1. (1.College of Language and Literature,Central China University,Wuhan Hubei 430079,China;2.College of Language and Literature,Yichun Unibersity,Yichun Jiangxi 336000,China)
  • Online:2005-07-15 Published:2012-08-06

摘要:作为一种原型现象,“二女+男”模式的发生可以追溯到中国的古代文学,是一个频繁演绎的叙事母题。在现代文学中,“五四”以来作家们对“家”的审视和对妇女解放的关注使这一原型得以不断传承和“瞬间再现”,并赋予了现代人的精神体验,使其在情感心理和叙事结构层面被复现整合。

关键词: 现代文学, &ldquo, 二女+男&rdquo, 模式, 原型, 结构

Abstract: As a literature archetype,the origin of the mode can be traced back to ancient Chinese literature.It was a motif of many narrative stories.Since the May Fourth Movement,Chinese writers have come to reconsider the concept of “family” and have paid close attention to women’s liberation.This old literary tradition has been inherited and once again been favored by Chinese writers,who make the mode reappear and displace it on the level of emotion,psychology and narrative structure by endowing it with modern people’s spiritual experience.

Key words: modern literature;“two women+one man&rdquo, mode;Archetype;structure

版权所有 © 2021《吉首大学学报(社会科学版)》编辑部
技术支持:北京玛格泰克科技发展有限公司
公众号 电子书橱 超星期刊 手机浏览 在线QQ