吉首大学学报（社会科学版） ›› 2004, Vol. 25 ›› Issue (2): 13-16.
• 美学研究 • 上一篇 下一篇
出版日期:
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基金资助:
教育部博士点基金项目“意象生成及中西审美本体研究”(104980112)
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摘要：“观”是中国传统审美方式的基型，它由感性、理性、情感交织而成。“观”照自身，反“观”本心，获得精神上的自由，并在主客体的统一中达到和谐，体现出中国人本主义的审美倾向。同时，“观”体现了东方审美思维方式的独特性：即感性理性交互为用的直觉思维、内向思维、体验性思维和意向性思维。与西方局限于认识论的“观照”相比，中国的“观”是主客交融的情感体验，“观”出的是一种意象。
关键词： 观, 观照, 审美方式
Abstract: Obseration is one of the basic form of Chinese traditional aesthetic methods,which is combined with sensibility,logos and emotion.By observing the person himself and looking into his soul one can achieve the freedom of spirit,What’s more,one can win harmony through the unification of subject and object.Thus observation displays one sort of aesthetic tendency which emphasizes humanity oneself.At the same time it reveals one kind of unique thinking mode of eastern aesthetics,that is to say,intuitional thinking which is on the basis of sensibility and logos that supplement each other,inner thinking,experiential thinking and intent thinking and so on.This kind of observation is unique and particular compared with the Western aesthetic concept of “vision” which is within the confines of epistemology in that it is one kind of emotional experience which is founded on the blend of subject and object,attaining certain images.
Key words: observation, vision, aesthetic method
陈望衡, 吴海伦. 观：中国传统的审美方式[J]. 吉首大学学报（社会科学版）, 2004, 25(2): 13-16.
CHEN Wang-Heng, WU Hai-Lun. Observation:One of the Chinese Traditional Aesthetic Methods[J]. Journal of Jishou University（Social Sciences）, 2004, 25(2): 13-16.
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