吉首大学学报(社会科学版) ›› 2008, Vol. 29 ›› Issue (5): 69-72.
• 美学研究 • 上一篇 下一篇
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摘要:尼采把由“上帝之死”带给人的精神处境称为虚无主义。在尼采看来,虚无主义即价值的沦落,并试图以审美排斥虚无。海德格尔则认为,审美无助于摆脱虚无,相反,虚无将解构审美。只有摆脱形而上学的束缚,从存在那里接受尺度,人才能踏上“还乡”之路。
关键词: 尼采, 审美主义, 海德格尔, 接受尺度
Abstract: Nietzsche defined the spiritual situation caused by “the death of God” as nihilism.According to him, nihilism was the destruction of value, and he tried to repulse it with aestheticism.While Heidegger argued that aestheticism did not help in extricating people from the predicament of nihilism;and aestheticism would be deconstructed by nihilism on the contrary.Only when people shake off the shackles of metaphysics and acknowledge receptivity toward the being itself could they embark on "returning".
Key words: Nietzsche, aestheticism, Heidegger, receptivity
伍永忠. 海德格尔对尼采审美主义的超越[J]. 吉首大学学报(社会科学版), 2008, 29(5): 69-72.
WU Yong-Zhong. Heidegger's Breakthrough over Nietzsche's Aestheticism[J]. Journal of Jishou University(Social Sciences), 2008, 29(5): 69-72.
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