吉首大学学报(社会科学版) ›› 2008, Vol. 29 ›› Issue (1): 119-122.

• 文学研究 • 上一篇    下一篇

一部对经典的重构?——解读耶利内克《娜拉出走以后》的“双性同体”意识

  

  1. (北京航空航天大学 外语系,北京 100083)
  • 出版日期:2008-01-15 发布日期:2012-05-17
  • 作者简介:田俊武(1966-),男,河南浚县人,文学博士,北京航空航天大学外语系副教授,硕士生导师。李霞(1983-),女,湖南衡阳人,北京航空航天大学外语系硕士研究生。

A Reconstruction of a Classical Work?——Unscrambling the Androgyny Consciousness in Nora:What Happened after Nora Left Her Husband,or,Pillars of Society by Jelinek

  1. (Foreign Language Department,Beihang University,Beijing 100083,China)     
  • Online:2008-01-15 Published:2012-05-17

摘要:具有强烈女权色彩和社会批评意识的耶利内克一直是个备受争议的女作家,她的《娜拉出走以后》好似是对易卜生《玩偶之家》的重构。但耶利内克的本意并不是要颠覆经典中的娜拉形象,而是要从女权的角度构建一个新的娜拉,回答出走后的娜拉在男权社会中的生存抗争。本文试图从双性同体角度解读《娜拉出走以后》的女性意识,从而揭示耶利内克对两性关系的审视和思考。

关键词: 重构, 娜拉, 双声语, 双性同体

Abstract: Jelinek,who has strong consciousness of feminism and social criticism,has been a controversial female writer,whose Nora:What Happened after Nora Left Her Husband,or,Pillars of Society is a reconstruction of Ibsen’s A Doll’sHouse.Yet Jelinek’s original intention is not to subvert the image of Nora in Ibsen’s drama,but to portray a new Nora from the angle of feminism,so as toanswer how Nora lives and struggles in the male-dominated society.This paper tries to analyze the feminism of Nora:What Happened after Nora Left Her Husband,or,Pillars of Society from the viewpoint of androgyny,so as to reveal Jelinek’s ideas about the male-female relationship.

Key words: reconstruction, Nora, androgyny, feminism

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