吉首大学学报(社会科学版) ›› 2011, Vol. 32 ›› Issue (5): 62-65.
• 美学研究 • 上一篇 下一篇
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摘要:由于文化传统和民族审美心理的不同,中西审丑意识与审丑艺术实践存在明显差异。中国因强调对立物的协调、渗透,对“丑”能宽容接纳;西方因崇尚美,强调美与丑的对立与冲突,对“丑”总是排斥拒绝。中国受儒家文化影响,对“丑”的本质认识偏重于伦理道德方面;西方受主客体二分思维的影响,对“丑”的认识偏重于形式方面。在艺术创作中,中国人往往以丑为美;西方人则注重化丑为美。
关键词: 古典美学, 丑, 审丑
Abstract: There are evident differences between Chinese and western appreciation of “ugliness”,which can also be perceived through people’s behavior.Chinese emphasize the negotiation and assimilation between opposites;therefore they can accept and absorb “ugliness” with an open mind.While in western culture,people advocate beauty and stress the opposition and conflicts between beauty and ugliness,so any ugly things is always repellent.China had been influenced by Confucianism,so Chinese recognition/understanding of “ugliness” is partial to moral aspect.By contrast,the west culture is drenched by the philosophy of “division between object and subject”,thus their understanding of “ugliness” favors the form of it.During the creation of art,Chinese take ugliness as a kind of beauty,while westerners tend to turn ugliness to beauty.
Key words: ancient aesthetic, ugliness, appreciation of &ldquo, ugliness&rdquo
莫小红. 丑恶怪谲 各尽其美——中西古典美学中“丑”的比较[J]. 吉首大学学报(社会科学版), 2011, 32(5): 62-65.
MO Xiao-Hong. The Ugly Monster Each of Which is Beautiful——Comparison of Chinese and Western Concept of “Ugliness” in Ancient Aesthetic[J]. Journal of Jishou University(Social Sciences), 2011, 32(5): 62-65.
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https://skxb.jsu.edu.cn/CN/Y2011/V32/I5/62