吉首大学学报(社会科学版) ›› 2010, Vol. 31 ›› Issue (1): 39-43.

• 沈从文研究 • 上一篇    下一篇

沈从文的文化阐释视阈与创作价值取向

  

  1. (1.北京师范大学 哲学与社会学学院,北京 100875;2.吉首大学 文学院,湖南 吉首 416000)
  • 出版日期:2010-01-15 发布日期:2012-03-21
  • 作者简介:何小平(1970- ),男,湖南新邵人,吉首大学文学院副教授,北京师范大学哲学与社会学学院博士生。

On Shen Congwen’s Visual Threshold of Cultural Interpretation and Value Orientation in Creation

  1. (1.College of Philosophy and Sociology,Beijing Normal University,Beijing 100875,China;2.College of Literature and Journalism,Jishou University,Jishou,Hunan 416000,China)
  • Online:2010-01-15 Published:2012-03-21

摘要:沈从文价值取向呈动态特征。湘西独特的文化精神,20世纪初中国传统文化的转型,西方社会科学理论与方法的采借下对中国文化的重新理解和再阐释,这些因素共同铸就了沈从文的理解前见,渗透进了其文学活动中,就使他能够运用文化整体、文化相对论思想,对各种文化进行跨文化比较,走向对湘西文化乃至整个国家民族文化进行全方位和整体性的解读,实现了文化理解、文化阐释视阈的融合,使创作视野不断突破,从创作初、中期的湘西文化本土阐释到创作后期的国家民族整体文化理解与阐释后,提高到创作晚期的对人类整体文化的理解与阐释。

关键词: 沈从文, 文化阐释视阈, 创作价值取向

Abstract: Shen Congwen had a dynamic value orientation.The unique cultural spirit in Xiangxi,the transition of traditional Chinese culture in the early 20th century,and the reinterpretation and re-illustration to Chinese culture under the influence of western theories,all contributed to Shen’s interpretation,infiltrated into his literary activities,and enabled him to compare different cultures,realizing an amalgamation of cultural interpretation and the visual threshold of cultural illustration.From the local cultural illustration to the cultural interpretation and illustration of the whole nation and the whole world,Shen Congwen had gradually widened his visions in creation.

Key words: Shen Congwen, visual threshold of cultural illustration, value orientation in creation

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