吉首大学学报（社会科学版） ›› 2008, Vol. 29 ›› Issue (2): 118-122.
• 文化研究 • 上一篇 下一篇
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摘要：对于湘西形象塑造，从来都是通过影像化的。影像化湘西塑造了人们脑中的湘西，经历了“印象湘西”“影像湘西”和“影响湘西”。而影像化湘西的文化逻辑是附魅，返魅与仿魅的三部曲。在传播学中解读的影像化湘西存在着危险的陷阱：商业和政治的封建化，这危害着湘西的文艺创新。
关键词： 影像化湘西, 文化逻辑, 附魅, 返魅, 仿魅
Abstract: As to the image-building of Xiangxi,much is done through video,which has undertaken three stages of impression on Xiangxi,Xiangxi in video,and influence on Xiangxi.The cultural logic of Xiangxi in video is the trilogy of enclosing to,returning to,and imitating the evil spirit.There are dangerous traps in interpreting the image of Xiangxi from the perspective of transmission,i.e.the feudalization of commerce and politics,which damage art innovation in this region.
Key words: Xiangxi in video, cultural logic, enclose to evil spirit, return to evil spirit, imitate evil spirit
黄辉. 附魅、返魅与仿魅：影像化湘西的文化逻辑[J]. 吉首大学学报（社会科学版）, 2008, 29(2): 118-122.
HUANG Hui. Enclose to，Return to and Imitate the Evil Spirit:Cultural Logic of the Image of Xiangxi[J]. Journal of Jishou University（Social Sciences）, 2008, 29(2): 118-122.
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https://skxb.jsu.edu.cn/CN/Y2008/V29/I2/118
