吉首大学学报(社会科学版) ›› 2000, Vol. 21 ›› Issue (2): 58-60.
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摘要:巴金不曾声称自己是女权主义者,但是他在《爱情三部曲》中塑造的他心中的“近乎健全的女性”形象, 贯穿的女比男强、性爱权平等应以人格平等为基础的观念以及对新女性在社会进步中所充当的角色和应具备的思想品格的理解,有较浓厚的女权主义色彩。
关键词: 女性形象, 平等, 女权主义
Abstract: Never did Ba Jin claim himself to be a feminist. But his “ Love Trilogy” is tinged with feminism.His almost perfect heroine, gives full expression to the idea that women are more capable than men.And the eguality of sexual life should be based on the independent and egual personality of both men and women. He also has good understanding of the new sort of women who possess special moral character and play some roles in the advance of society.
Key words: Female image, eguality, feminism
陈雪萍. 《爱情三部曲》中的女权主义思想表现[J]. 吉首大学学报(社会科学版), 2000, 21(2): 58-60.
CHEN Xue-Ping. Ideological Manifestation of Feminism in Ba Jin's “Love Trilogy”[J]. Journal of Jishou University(Social Sciences), 2000, 21(2): 58-60.
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https://skxb.jsu.edu.cn/CN/Y2000/V21/I2/58