吉首大学学报(社会科学版)

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主体间性美学思想对恩情文化的解构

杨春时   

  1. (四川美术学院,重庆 401331)
  • 出版日期:2018-03-01 发布日期:2018-01-29
  • 作者简介:杨春时,男,厦门大学人文学院教授,博士生导师,四川美术学院特聘教授。

Deconstruction of Inter-subjectivity Aesthetic Thought tothe Grace Culture

YANG Chunshi   

  1. (Sichuan Fine Arts Institute,Chongqing 401331,China)
  • Online:2018-03-01 Published:2018-01-29

摘要:以儒家思想为代表的中华文化的核心是恩情观念,它以施恩-报恩理念来规定人际关系,由家族伦理的孝到社会伦理的义和政治伦理的忠,都贯穿着恩情理念。恩情文化一方面构建了一种人情社会,减缓了暴力性,同时也体现了一种权力关系:施恩者对受恩者具有支配性,而受恩者对于施恩者具有依附性。中华美学具有主体间性思想,主张主体与世界包括人与自然、人与人之间的同一性。因此,中华美学以主体间性思想解构了恩情文化。这具体体现在自然审美对社会关系的解构;审美意识对伦理观念的解构;审美同情对权力关系的解构等,从而证明了审美的超越性、自由性。

关键词: 主体间性, 恩情文化, 审美, 解构

Abstract: The core of Chinese culture,represented by Confucianism,is a concept of grace,which defines interpersonal relationship through the concept of grace-gratitude.Filial piety of family ethics and loyalty of social and political ethics areamong grace concept.On the one hand,it constructs a kind of human society,which slows down the violence,but also shows a power relationship in which the benefactor is dominant to the beneficiary and the beneficiary is dependent upon the benefactor.Chinese aesthetics has the idea of inter-subjectivity,advocating the identity between the subject and the world,including man and nature,and man and man.Therefore,Chinese aesthetics deconstructs the culture of grace by inter-subjectivity.This is embodied in the deconstruction of social relations by natural aesthetics,the deconstruction of ethical concepts by aesthetic awareness,the deconstruction of the relations of power by aesthetic sympathy and so on,which proves the aesthetic transcendence and freedom.

Key words: inter-subjectivity, grace culture, aesthetic, deconstruction

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