Abstract: Compared to the intersubjectivity of modern aesthetics,the intersubjectivity of classical aesthetics of China is pre-intersubjectivity,in which the subject and the object have not fully separated,and the subject hasn’t gained its independent position.The image ideas of China’s aesthetics are the typical embodiment of this classical intersubjectivity.The formation of image ideas has experienced the combination of image and representation,which reflects the philosophical state of the oneness of the heaven and the human beings.Generated by aesthetics,image can break through the restraints of material selfness and spiritual selfness,and reach the aesthetic state of intersubjectivity.

Key words: image, intersubjectivity, classical aesthetics of China