Journal of Jishou University(Social Sciences) ›› 2007, Vol. 28 ›› Issue (5): 63-70.
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Abstract: New period Chinese drama aesthetic modernity embodied experience of modernity. Modern experience center phantom is historical reality and the aesthetic reality after conversion of aesthetic and condensed into the overall aesthetic mirage. In the new period of China TV image representation, the central vision as people in the reform era life has an overall state of mind, it is not only a form of historical and social change of intrinsic motivation and desire, and is a show in the Chinese TV drama aesthetic landscape in the collective imagination. In the new period of China TV image ideographic system," spring " in China 's modern experience showing the Chinese TV play experience of modernity and the basic properties of value orientation, is the modern experience of central vision, which showed and accumulates several generation of Chinese flourishing, prosperous and strong for the collective unconscious. The modernity experience generally has three kinds of forms: vision, feel indignant glance, type type type.
Key words: 9" leftzone="0, 9">New period3" leftzone="9, 3">; " rightzone="12, 6" leftzone="12, 6"> Chinese " rightzone="18, 9" leftzone="18, 9"> drama3" leftzone="27, 3">; " rightzone="30, 15" leftzone="30, 15"> modernity3" leftzone="45, 3">; " rightzone="48, 15" leftzone="48, 15"> aesthetic modernity
PENG Wen-Xiang. New period Chinese TV play experience of modernity and its mirror image rendering[J]. Journal of Jishou University(Social Sciences), 2007, 28(5): 63-70.
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