吉首大学学报(社会科学版) ›› 2009, Vol. 30 ›› Issue (1): 50-53.
• 民族学研究 • 上一篇 下一篇
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国家社科基金项目(06BZJ001)
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摘要:“毛古斯”戏剧的表现形态在历史发展过程中经历了一个“层累递进”的复合化过程,衍变的痕迹隐约可见。在其表现形态中,一方面不断加进体现新的时代内容的表现元素,另一方面又包含了原有戏剧形态的某些“残留”,造成奇异的古今“混同”状态。这种看似矛盾的表现形态恰恰反映出“毛古斯”作为一种民族原始戏剧发展的内在逻辑性和有序性。
关键词: 土家族, 毛古斯, 表现形态, 历史衍变
Abstract: “Maogusi” Drama,originated from traditional Tujia dance,has come through an accumulative process in its historical change.On the one hand,elements are constantly added to show new content of the era in its performance;on the other hand,it contains some original traces of the old form.This seemingly contradictory performance shows the inner logic and order of “Maogusi” as a primitive drama in its development.
Key words: Tujia People;“Maogusi&rdquo, (a kind of Tujia drama);performance;historical change
陆群. “毛古斯”戏剧表现形态历史衍变的人类学考察[J]. 吉首大学学报(社会科学版), 2009, 30(1): 50-53.
LU Qun. An Anthropological Review on the Development of “Maogusi” Drama of the Tujia People[J]. Journal of Jishou University(Social Sciences), 2009, 30(1): 50-53.
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https://skxb.jsu.edu.cn/CN/Y2009/V30/I1/50