艺术思维哲学•引论

吉首大学学报（社会科学版） ›› 2000, Vol. 21 ›› Issue (3): 30-39.

艺术思维哲学•引论

( 吉首大学,湖南吉首 416000)

出版日期:2000-09-01 发布日期:2012-11-02
作者简介:张建永( 1953~ ) ,男, 湖南麻阳人,文学硕士, 吉首大学文艺学副教授, 主要从事艺术哲学、美学研究。

An Introduction to the Philosophy of Artistic Thinking

( Jishou University, Jishou ,Hunan 416000)

Online:2000-09-01 Published:2012-11-02

摘要/Abstract

摘要：从“艺术思维”和“形象思维”两个古老的话题入手,揭示艺术思维具有比形象思维大得多的内涵, 并以此为起点,提出建立艺术思维哲学的可能性和设想。在艺术思维本体论框架中,从直观感觉、抽象逻辑、情感意志、先验知觉、文化符号五个层面论述事物本质的获得性特征,并对获得过程进行描述,在此基础上提出人化思维是艺术思维的本质。

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关键词： 艺术思维哲学, 人化思维

Abstract: Starting from the two old topics “artistic thinking” and “image thinking”, this article tries to reveal the connotation of artistic thinking which is much extensive than that of image thinking. And on this basis, the article puts forward some tentative ideas for setting up a philosophy of artistic thinking. The article expounds on the acquisition of the nature of matter from five levels: direct perceiving sense, abs tract logic, emotional will, priori cognition and cultural signs, and describes the process of this acquisition. Finally, the article concludes that the nature of artistic thinking is personified thinking.

Key words: philosophy of artistic thinking, personified thinking

张建永. 艺术思维哲学•引论[J]. 吉首大学学报（社会科学版）, 2000, 21(3): 30-39.

ZHANG Jian-Yong. An Introduction to the Philosophy of Artistic Thinking[J]. Journal of Jishou University（Social Sciences）, 2000, 21(3): 30-39.