吉首大学学报(社会科学版) ›› 2005, Vol. 26 ›› Issue (2): 171-172.
• 艺术学研究 • 上一篇 下一篇
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摘要:中国画的造型观是意象造型,是神与物游,物我两忘的主客观结合产物。“意象”是指绘画作品中客观物象和主观物象相互融合,交织而成的艺术精神。“似与不似之间”,对形与神的总体把握,是中国画意象造型观的核心。中国绘画的意象造型观念是中华民族绘画的特色。
关键词: 具象与抽象, 意像造型, 主观与客观, 似与不似之间, 形与神
Abstract: The creation of Chinese painting is the creation of image,a combination of the objective appearance and the subjective spirit.The key to the image creation of Chinese paintings is to grasp its appearance and spirit,similarity and dissimilarity.The concept of image creation of Chinese painting is the characteristics in Chinese art forms.
Key words: concrete and abstract, image creation, subjective and objective, appearance and spirit, similarity and dissimilarity
舒湘汉. 神与物游,物我两忘——论中国画的意像创造[J]. 吉首大学学报(社会科学版), 2005, 26(2): 171-172.
SHU Xiang-Han. On the Creation of Imagery in Traditional Chinese Paintings[J]. Journal of Jishou University(Social Sciences), 2005, 26(2): 171-172.
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https://skxb.jsu.edu.cn/CN/Y2005/V26/I2/171