吉首大学学报(社会科学版) ›› 2011, Vol. 32 ›› Issue (2): 127-130.
• 文学研究 • 上一篇 下一篇
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摘要:从巴金的《家》到刘恒的《苍河白日梦》,中间悬隔着半个多世纪的时间跨度,反映的却同是二十世纪上半叶中国社会和家族的总体面貌和文化特征。而由《家》的全知叙事和叙述者“大我”的定位,到《苍河白日梦》的私密化个人叙事,因其在叙事层面上的明显差异,表征出各自时代的政治与文化思潮的脉动。比较二者叙述角度的不同,可以看到叙事主体意识的变化背后所隐附的思想、文化、审美观念的历史变迁。
关键词: 叙述视角, 全知叙事, 个人叙事
Abstract: Family by Bajin and Daydream in Canghe,though has a time space of more than half a century,both reflect the general situation and cultural features in China in the first half of the twentieth century.However,the different narrative angle in the two novels,the former being omniscient and the later being private,shows different political and cultural trends in different times.Comparing the different narrative angle,we can see the historical change in ideology,culture,and aesthetic value.
Key words: narrative angle, omniscient narration, personal narration
古明惠. 从《家》和《苍河白日梦》叙述视角的差异看时代变迁[J]. 吉首大学学报(社会科学版), 2011, 32(2): 127-130.
GU Ming-Hui. On the Change of Times from the Narrative Angle in Family and Daydream in Canghe[J]. Journal of Jishou University(Social Sciences), 2011, 32(2): 127-130.
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https://skxb.jsu.edu.cn/CN/Y2011/V32/I2/127