吉首大学学报（社会科学版） ›› 2003, Vol. 24 ›› Issue (4): 17-21.
• 美学研究 • 上一篇 下一篇
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摘要：自然环境与社会意识形态规定着时代的自然审美观，自然审美观制约着以自然美为素材的文学与绘画艺术的创造。中国艺术家把审美眼光集中地投向自然，在自然美欣赏中，总是把人摆进去，从自身的道德修养和情感状态出发，寄情于景，移德于物，然后在物我交融中见出人的品德、情感来，这绝不仅仅是移情于自然，更是一种精神感应。
关键词： 自然美, 比德, 情景交融, 意境, 逸
Abstract: Natural environments and social ideologies determines the natural aesthetic standards of an era,and the standards also restrict creations of literature and drawing arts based on materials for natural beauty.Chinese artists like to conlentrate their eyes on nature,and introduce characters in the appreciation of the natural beauty.From the point of their own moral accomplishment and emotional mood,they descrike sceneries or things to express feelings on conuey some moral character through feeling and setting happily blended,and some virtue transferted to something.This is not just emotion transfered to nation,but a kind of telepath.
Key words: natural beauty, moral analegue, feeling and setting happily blended, artistic conception, perfect state between nature and soul
赵正来. 中国古代对自然美的认识与体验[J]. 吉首大学学报（社会科学版）, 2003, 24(4): 17-21.
ZHAO Zheng-Lai. The Cognition & Experience for Natural Beauty in Ancient China[J]. Journal of Jishou University（Social Sciences）, 2003, 24(4): 17-21.
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