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The Dramatic Pursuit of Women's Poetry in China since the 1980s
ZHAO Shuqin, HU Le
Journal of Jishou University(Social Sciences Edition)
2024, 45 (4):
105-114.
DOI: 10.13438/j.cnki.jdxb.2024.04.011
Since the 1980s,Chinese female poetry has exhibited a unique charm in its pursuit of dramatization.The British and American theatrical theories argue that drama and poetry are inextricably linked in terms of literary nature.The translation and dissemination of this theory in China have inspired female poets since the 1980s to consciously embark on a pursuit of dramatization in their poetic creations,manifesting in three specific aspects.Firstly,in the process of narrative interpretation,female poets often utilize the aggregation of dramatic conflicts to construct emotional climaxes in their poems.Centering on conflicts,these poets show the antagonistic clashes between "I" and the external world,as well as self-cognition within the essence of life.Secondly,in the utilization of linguistic techniques,female poetry favors colloquial language commonly seen on the stage,adding an artistic dimension to poetic expression through the perspective of the meta-language of observation and performance,presenting a unique carnival.Thirdly,in the appropriation of theatrical experience,female poetry pursues a revolution in visual elements and an impact in auditory elements,actively promoting the practice of poetic drama to interpret the theatrical metaphor of "life is like a play." From "theatrical thinking" to "poetic drama practice," female poetry continues to innovate and develop in its pursuit of dramatization,enriching narrative techniques and broadening expressive territories.These practices not only show the unique charm of poetic art,but also reflect female poets' keen insights into the real world and their humanistic concern.
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