吉首大学学报(社会科学版) ›› 2026, Vol. 47 ›› Issue (2): 90-97.DOI: 10.13438/j.cnki.jdxb.2026.02.010

• 文学 • 上一篇    下一篇

网络文学类型化叙事的生成逻辑与现实转向

禹建湘,颜术寻   

  1. (中南大学 人文学院,湖南 长沙 410002)

  • 出版日期:2026-03-01 发布日期:2026-02-06
  • 作者简介:禹建湘,男,博士,中南大学人文学院教授,博士生导师;颜术寻,女,中南大学人文学院博士生。
  • 基金资助:
    国家社会科学基金青年项目(23CZW061)

The Generative Logic and Realist Turn of Genre-Based Narration in Chinese Online Literature

YU Jianxiang,YAN Shuxun   

  1. (School of Humanities,Central South University,Changsha 410002,China)

  • Online:2026-03-01 Published:2026-02-06

摘要:

网络文学的类型化叙事在网络平台的高度市场化导向之下形成。文学的类型划分从传统中国文论的思想之中就有体现,文学网络平台设立的类型栏目、作品标签和榜单机制等,体现了在特定类型和风格下的文学叙事模式。网络文学类型的裂变和细化也正是经过市场化检验后平台栏目划分的结果。网络文学的创作处于未完成的状态,其内容受到平台和读者的影响,进而强化了其类型化叙事的模式。与此同时,网络文学类型化叙事长期固定发展造成了审美疲劳,也激发了以读者“爽感”为导向的创作开始发生自主的叙事转向。网络文学的类型化叙事在“爽点”设置的调整和“金手指”功能的转变等调适过程中,实现了对既有类型创作模式的突破和创新,形成了“爽感”激发逻辑下的类型化叙事创新。网络文学产业日益成熟,网络文学作品和IP获得了广泛的跨媒介改编,也影响了网络文学类型叙事转向对改编现实的主动适配。在影视剧、网络游戏和剧本杀等多元媒介形式的带动下,网络文学的类型化创作呈现出剧本化、系统化与可视化的特征转型。这种类型化叙事的变动趋势不仅推动了网络文学内容形式的转向,也加深了其作为文化产品在产业链中的嵌入程度,标示出类型化网络文学正从平台主导走向产业协同的演化路径。

关键词: 网络文学, 类型化叙事, “金手指”, 跨媒介, 网文改编, IP, “爽感”, 读者

Abstract:

The genre-based narration of Chinese online literature has emerged under the highly market-driven logic of digital platforms.Although literary categorization has historical roots in traditional Chinese literary theory,contemporary platforms institutionalize it through genre-specific columns,content tagging,and ranking mechanisms,thereby reinforcing distinct narrative patterns within defined genres.The proliferation and refinement of these genres are direct outcomes of market-validated platform categorization.Online literary creation is by nature an ongoing,open-ended process,continuously co-shaped by platform algorithms and reader feedback,which further entrenches genre conventions.However,the prolonged stability of these conventions has led to aesthetic fatigue,prompting a self-initiated narrative shift in works originally oriented toward delivering "shuanggan" (爽感,a reader-centric sense of pleasurable excitement).Through adaptive strategies—including the recalibration of "shuang points" (爽点,gratification triggers) and the functional evolution of the "golden finger" (jīnshǒuzhǐ,金手指,a narrative device granting protagonists extraordinary advantages)—genre-based narration has transcended established templates,fostering innovation under the logic of shuanggan.As the online literature industry matures,the widespread cross-media adaptation of works and IPs has incentivized narrative forms that actively accommodate transmedia production requirements.Driven by diverse formats such as television dramas,online games,and script-based immersive experiences,genre writing increasingly prioritizes script-friendly adaptation,systemic coherence,and visual adaptability.This transformation not only reshapes the content and form of online literature but also deepens its embeddedness as a cultural commodity within industrial chains,marking an evolutionary shift from platform-driven genre formation to industry-coordinated narrative production.

Key words: online literature, genre-based narration, "golden finger" (jīnshǒuzhǐ), cross-media adaptation, IP development, narrative evolution, "shuanggan", reader

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