吉首大学学报(社会科学版) ›› 2002, Vol. 23 ›› Issue (3): 44-49.

• 文学研究 • 上一篇    下一篇

论中国文学批评现代多维视角的确立

  

  1. (广西师范大学 中文系,广西 桂林 541002)
  • 出版日期:2002-09-01 发布日期:2012-08-24
  • 作者简介:张利群(1952-),男,湖北罗田人,广西师范大学中文系教授。

The Establishment of the Modern Uutidimensional Visual Angle of the Chinese Literary criticism

  1. (Chinese Language and Literature Department of Guangxi Nomeal University,Guilin,Guangxi 541002,China)
  • Online:2002-09-01 Published:2012-08-24

摘要:中国文学批评视角的转换从“五四”到新中国建立,再到新时期,经历了三个阶段,实现了由社会政治视角到人性人情视角,再到审美视角,其后到文化视角的单维向多维的转换。改革开放和社会主义市场经济的建立为批评视角的转换提供了内在动力机制;“全球化”、“多元化”的视域和语境为批评视角转换提供了外部动力机制。文化批评的多维视角构成了批评转型和发展的基础,具有理论建设和实践运作的双重意义。

关键词: 中国文学批评, 多维批评视角, 转型, 文化批评

Abstract: From the mayforth movement to the founding of the new china,and to the new period,the transformations of visual angle of the chinese literary criticism,and it has realized the treansferring from social visual angle to the human feeling and nature visual angle,then to the aesthetic visual angle,and at last from single to the multidimentional visual angle of culture.the reform and Opening and the social market economy have provided the inside motive force mechanism untile the globalization and the poly-tendenly Provided the outside.That multidismentional visual angle of cultural ariticism has formed the foundation of transferring and development of criticism has the double meaning of building and practise operation of theories.

Key words: chinese literary criticism, multidimentional visual angle of criticism, transferring, cultural criticism

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