论唐五代唐诗学与诗歌创作的离合

吉首大学学报（社会科学版） ›› 2004, Vol. 25 ›› Issue (4): 67-71.

论唐五代唐诗学与诗歌创作的离合

(湖南文理学院中文系，湖南常德 415200)

出版日期:2004-10-15 发布日期:2012-08-13
作者简介:许连军，男，湖南常德人，文学博士，湖南文理学院中文系副教授，研究方向为中国诗学、唐诗学。

Contrast of Poetics and Poetic Creation in the Five Dynasties

(Department of Chinese, Hunan Art and Science College,Changde,Hunan,415000)

Online:2004-10-15 Published:2012-08-13

摘要/Abstract

摘要：唐诗学的发展与唐诗创作关系极为密切，但两者并不总是同步。我们视唐五代为唐诗学的萌生期。唐前期的唐诗学与唐诗创作是同步的，即唐诗创作繁荣的同时，唐诗学也由萌生而不断开拓，终于走向自立。唐后期则出现反差，唐诗学全面开拓，唐诗创作则题材转变、萎缩，风格内敛，追求细美幽约，二者大体上呈背离走向。

关键词： 唐诗学, 唐诗创作, 同步, 反差, 离合

Abstract: Tang Poetic creation counts much for the development of Tang poetics, but the aspects were not always well-coordinated in progress. During the early stage of Tang Dynasty, poetics and poetic creation developed synchronically: poetic study was brought into line with the rapid progress of poetic creation; during the late stage the two deviated from each other: poetic study developed in an all-rounded way, while poetic creation overemphasized delicateness, elegance and exquisiteness, as a result, limited the source of subject matter and the improvement of style.

Key words: Tang Poetics；Tang poetic creation；synchronically；contrast；convergence &, divergence

许连军. 论唐五代唐诗学与诗歌创作的离合[J]. 吉首大学学报（社会科学版）, 2004, 25(4): 67-71.

XU Lian-Jun. Contrast of Poetics and Poetic Creation in the Five Dynasties[J]. Journal of Jishou University（Social Sciences）, 2004, 25(4): 67-71.