中国近现代文学的道德叙事批判

吉首大学学报（社会科学版） ›› 2004, Vol. 25 ›› Issue (2): 70-75.

中国近现代文学的道德叙事批判

（南京大学中文系，江苏南京 210093）

出版日期:2004-04-15 发布日期:2012-08-15
作者简介:张光芒（1966-），男，山东沂南人，文学博士，南京大学中文系出站博士后、副教授。

Criticism on Moral Narration in Modern and Contemporary Chinese Literary History

(Chinese Department of Nanjing University,Nanjing 210093,China)

Online:2004-04-15 Published:2012-08-15

摘要/Abstract

摘要：中国近现代文学真正的“宏大叙事”是道德叙事。近代文学道德叙事的实质内涵表现为“道德至上，私德优先”。五四文学虽然以“提倡新道德，反对旧道德”为叙事转换的革命性标志，但传统道德的某些根本价值原则仍然在深层结构中起着决定性作用，即使对新道德的高扬也在道德/艺术思维方式上与传统道德叙事纠缠不清。一方面它是“道德至上”审美原则的超常延伸；另一方面它又将近代道德叙事发展为审美上的道德实用主义叙事。

关键词： 中国近现代文学, 道德叙事, 道德实用主义

Abstract: The real “grand narration” in modern and contemporary Chinese literatur is moral narration.Its substantial content can find expression in “morality above everything and personal morality first”.Though the May 4th literary movement advocated “new morality against old morality”,which was a revolutionary mark of narrative conversion,certain fundamental value principles of traditional moral narration still played a decisive role in the deeper structure of morality.The promotion of new morality is closely related with traditional moral narration.Moral narration,on the one hand,is the extension of the aesthetic principle of “morality above everything”,on the other,it gradually develops into aesthetically pragmatic moral narration.

Key words: modern and contemporary Chinese literature, moral narration, moral pragmatism

张光芒. 中国近现代文学的道德叙事批判[J]. 吉首大学学报（社会科学版）, 2004, 25(2): 70-75.

ZHANG Guang-Mang. Criticism on Moral Narration in Modern and Contemporary Chinese Literary History[J]. Journal of Jishou University（Social Sciences）, 2004, 25(2): 70-75.