吉首大学学报(社会科学版) ›› 2014, Vol. 35 ›› Issue (5): 119-122.DOI: 10.13438/j.cnki.jdxb.2014.05.018

• 艺术学研究 • 上一篇    下一篇

民间音乐传承与保护的民俗学思考——以湘西苗族民歌为例

乐之乐   

  1. (1.中国音乐学院 音乐学系,北京 100001;2.吉首大学 音乐舞蹈学院,湖南吉首  416000)
  • 出版日期:2014-09-15 发布日期:2014-09-28
  • 作者简介:乐之乐,女,中国音乐学院音乐学系博士生,吉首大学音乐舞蹈学院讲师。
  • 基金资助:

    湖南省哲学社会科学项目(13YBA280)

A Study on the Inheritance and of Protection Xiangxi Folk Music from the Perspective of Folklore:Illustration through Folk Songs of Miao People in Xiangxi

 YUE  Zhi-Le   

  1. (1.College of Musicology,China Conservatory of Music,Beijing 100001,China;2.School of Music and Dance,Jishou University,Jishou 416000,Hunan China)
  • Online:2014-09-15 Published:2014-09-28

摘要:以民俗学视角探讨民间音乐的传承与保护,是苗族民歌传统音乐融相关学科与研究领域的音乐人类学理解范式和综合艺术模式的现代性转变。它簇生性地展示了学界对中国传统音乐更全面更透彻地解读民间音乐的深刻内涵,更深入更广泛地解析民众在日常生活中创造民间音乐的历史文化价值及生态文化保护的维护价值和社会进步的发展价值。注重回归生活文化,体现民族独特性特征,融合民族多元文化,展现人类再创造力是传统音乐“活态保护”的原则。在现实生活中,民间音乐的保护要特别关注传承人的音乐活动,将其置于特定时空中,并利用区域差异性特征,采取多样性策略。

关键词: 民间音乐, 民俗学, 湘西苗族民歌, 传承, 保护

Abstract: The folk songs of Miao people in La’ershan,Xiangxi is one of the indispensable art forms for those living on tablelands.The study on the protection and inheritance of folk music from the perspective of folklore is the modernity transformation of comprehensive art mode and understanding paradigm of combining Miao people’s traditional music with musical anthropology of related disciplines and research fields.The author thinks that the “living protection” principle for traditional music is to put folk music in specific culture of protection and inheritance,and to integrate multi-cultures of plural nationalities by making use of the characteristics of regional differences.The paper presents a study of the local Miao people’s folk songs to help us understand the living characteristics of the protection and inheritance of traditional art form of music culture better,and to provide us with effective measures.

Key words: folk music, folklore, folk songs of Miao people in Xiangxi, inheritance, protection

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